exhibition : 29 – 06 – 2025 to 20 – 07 – 2025 | GALLERY STUCCO HALL | Namesti 6 | 692 01 MIKULOV
ALONG the LINE
Fixed opening hours of the exhibition :
Saturdays from 09:00 t o 18:00 | 9am – 6pm
Sunday 13.07. — 15:00 to 20:00 | 3pm – 6pm – Grand opening for Symposium ‘Dilna’ at the Main Square
Sunday 20.07. — 9:00 to 12:00
On other days, access to the exhibition is possible at any time
by telephone appointment.
gallery STUCCO HALL | contact :
+43 060 3184 254
curated by : Thomas J. Jelinek
The journey along the space-time axis draws its trail in the simulation space of the imagined mental landscape.The first step is perception, seeing, hearing, recognising significant phenomena of reality-perception – of so-called things.
The first step is followed by a step, followed by a step.
The journey can be navigated along space-time patterns.
The art works assembled and shown in the room create the significances of specific experiences of travelling or movement in space and time, which, together with the other works assembled here, create the legible patterns of a simulated but real landscape.
Traces from Plants and Animals, Rust
| ALFRED HRUSCHKA | 2023
ziehen | GERTRUDE MOSER-WAGNER | 2012
Neon sign [ handwriting of the artist ]
| Moving on – through the Alphabet of places, crossing countries and their historical conditions.
All stories tell of travelling. – Travelling in space and travelling in time.
All artistic works can therefore also be read as traces of time in the landscape and are localised on the timescale. In this way, the audience creates an art space from the artefacts and projected light in which they can read, associate and make chronological contexts.
In this way, old stories can be remembered, i.e. brought into our present, and new stories can be invented, told and left behind on the timeline as a trace for the time to come.
All traces of space are also traces of time.
But even seemingly remaining in one place is still a movement through time. (Apart from the fact that we move with our sun through our galaxy, with which we in turn move through the universe at millions of kilometres per minute, never standing still). In the walk-through landscape of the exhibition we also encounter traces of time from Mikulov.
The exhibition of artistic works shows traces in space and traces in time, such as the selected photographs from Radek Kroupa’s extensive collection of images. These show snapshots of Mikulov from a long time ago, which have not only left perceptible traces on the prints on display in the exhibition, but also in the reality of people’s lives.

Mikulov November 1989 | RADEK KROUPA | 1989
Happy People | RADEK KROUPA | Mikulov 1986

Movement through space is always also movement through time. Movements leave traces. Changes in the arrangement of matter and vibrations in space that can be read. Without time, however, the trace of space would not exist, the time in which entropy causes traces to disappear as it progresses. Only active remembering, the writing of traces in space-time, allows us to navigate them, to read ourselves as existing and to travel through space-time in our context.
MIZU | AIKO KAZUKO KUROSAKI | 2010
Performance – Intervention in public space | Mizu is the Japanese word for “water” | video by T.J.Jelinek
never game over | VERENA TSCHERNER | 2025
kinetic sculpture – interactive media

